Today, February 3, is Setsubun, the Japanese festival to celebrate the end of winter and welcome Spring. I remembered this because I have a Japanese car here in Malawi and every day when I start her up, she chirps a welcome to me in Japanese akin to “Today is such and such day of the week and date. And here is an interesting/random fact about today.”
I am still writing up my blog posts for our R&R to Kenya and generally dislike posting a random post while still not done with a series, but we are in the middle of the second wave of the COVID-19 pandemic here in Malawi and I am just feeling down. I am tired of the teleworking and the distance learning (I know, who isn’t?) and am suffering some pretty severe bouts of insomnia that is leading to headaches, exhaustion, and exacerbating the pandemic fatigue. Even though I knew that a flip of the calendar would not magically waive the pandemic away, here I am a month into the new year, deep into the Malawi rainy season, and I could really use a pick me up. So, when I got into my vehicle today and it chirped it its forever optimistic female Japanese voice, “今日は2月3日水曜日です.その節分,” or “Today is Wednesday, February 3. It’s Setsubun,” a waive of nostalgia swept over me. I was immediately transported back to when I lived in Japan and celebrated this holiday with my friends. Back to when I was younger and not a parent and not living in a pandemic.
My friend Bill has embarked on a pandemic lockdown inspired daily writing exercise — to stretch his writing chops, entertain friends and family, and perhaps pave the way into some sort of post Foreign Service career. While he is closer to retirement than I am, I too have found myself, especially when in the pandemic isolation doldrums, to flirt with my one day, perhaps sooner than expected, retirement dreams. I have long wanted to write about the years I lived in Japan. I figured I would take C to Japan and write about that trip and then as companion pieces, revisit aspects of my three years there. But a good look at the very long, minimum three flight trip, with either very short or very long connections, that would take us from Malawi to Tokyo, flattened my resolve; COVID-19 killed it. I still plan to one day write those posts. So with a combination of inspiration from my friend Bill and my Japanese RAV-4, here I am writing about Setsubun.
In July 1997, I arrived in Kogushi, a small fishing village on the San-In coast of Toyoura-town, Yamaguchi prefecture in the western part of Japan’s main island of Honshu. That makes it sound really romantic. In fact, if you literally translate most of it, Yamaguchi means “mountain’s mouth” and Toyoura means “rich bay,” and that sounds even more beautiful. Only Kogushi 小串 is not as lovely. It means “little skewers” as you can see the character “gushi” resembles a stick with two pieces of meat on it, like a kebab. I thought “little stick” more fitting, as in “I live in the sticks” or way outside the city.
I was an English teacher at the local high school through the Japanese Exchange and Teaching Program through the Japanese Ministry of Education and Sports. To cut a long story short, I was plopped down in the middle of this rural area to teach English to less than enthusiastic high school students. As the only gaijin (obvious foreigner) in town, I stuck out like a sore thumb. Parents would force their children to sing me the alphabet in the supermarket and people wanted to invite me over to their houses for the sheer quirky fun of having a real live blonde American in their home, but honest to goodness friendship was hard. The other teachers in the school stayed clear of me, largely because they did not speak English well themselves and the English teacher was a bit of a creep so I didn’t want to hang with him anyway. It was not easy to make friends and after the initial excitement of the honeymoon period passed, I found myself pretty lonely.
In stepped Akiko and Isao. A couple in their 60s who lived a few towns over somehow got word to me that they would like to meet me and discuss the possibility of starting up an English course for adults that would be run out of their home. Akiko and Isao would be my saviors, they did so much more than open their home to me. They gave me adult conversation, even if in broken English (and my even more dismal Japanese), they gave me friendship, with them and with the other adults who joined the class. They introduced me to Japanese customs and celebrations. They visited me in the hospital when I had my appendix out (an odd but amazing experience to have in small town Japan). And they even had my mom, aunt, and aunt’s friend stay with them a few days when they visited Japan, to give them an authentic Japanese experience (and me a break from four adults staying in my small two tatami mat room flat).
I started my three times a month lessons for adults in Akiko and Isao’s living room in January of 1998. They had a beautiful traditional Japanese home perched on a hill overlooking the Sea of Japan. It looked like a miniature of a Japanese castle — all white with a grey tiled roof, with eaves that turned up at the ends, with animal figurines dancing on the roof spines to the edges. Inside they had tatami mat rooms, fitted with traditional recessed alcoves with Japanese shrines with photos of ancestors, dolls, and old pottery, befitting the home of the granddaughter of a Samurai, which Akiko was. It wasn’t all traditional though. The heated toilet seat with about 20 controls for all kinds of toilet experiences, was a modern treat. And the jazz musician paintings that took center stage in their living room still fit perfectly. I was overwhelmed to be invited to teach here and almost cried when I came home from the first class.
Just a few weeks after I started, February arrived and Akiko and Isao offered to host a Setsubun party for the class. I had no idea what that was but was grateful for an invitation that would have me doing something other than sitting alone, cold (my apartment, like many Japanese homes, had crap insulation), watching Japanese television I could not understand, for an evening.
Setsubun is sort of like Japan’s answer to America’s Groundhog Day. Though its origins are also old (8th century for the former and 4th century for Candlemas, the precursor to Groundhog Day) and around the heralding of spring, but do not involve anyone waiting around for the appearance of a fat rodent. Instead, it involves two people dressed up like an ogre of misfortune (oni) and the personified appearance of fortune (fuku) and the tossing of troasted soybeans. That sounds way more fun, right?
Arriving at their home after dark on a cold February night, I was a little surprised by the festivities. Neighbors dressed up like Fuku and Oni, looking a bit like a scary versions of Cookie Monster and Elmo, burst into the house as we threw the roasted soybeans (fukumame or “fortune beans”) at them with silly abandon while shouting “Oni wa soto! Fuku wa uchi!” (“Devils out! Fortune in!). I am pretty sure I shrieked a lot. I had no idea that a Japanese celebration would be so fun; I had expected sedate.
Following this we headed in to Akiko and Isao’s house, where they had transformed the living room into a sort of dining room. Around the room where multiple kotatsu, low wooden tables with electric heat sources built into them for cold winters, each with an electric hot plate and a ceramic bowl perfect for cooking nabe, the Japanese version of the hot pot, the perfect dish for a cold winter’s night. Set out on the tables were various hot pot ingredients: cabbage, carrots, thin white Japanese mushrooms called enoki (the only mushrooms I have ever eaten), and various proteins such as tofu, shrimp, chicken, and beef. The dashi (broth) of kombo (seaweed), sake, mirin, and soy sauce already simmered and small bowls of ponzu (a light watery citrus-based sauce with a dash of soy sauce) and ground daikon (white radish) sat ready for dipping our cooked food in for added flavor. It was all very delicious, but it was the laughter and camaraderie that really warmed my heart.
I will forever remember that night as one of the best of my three year’s in Japan. We recreated it each of the three years, but it was that first setsubun that was the best. Never before (and I struggle to think of a time since) had I felt so welcome overseas. That class became more than just a class. They were my friends.
Tonight, what I would really like to do is throw the shit out of some roasted soybeans while surrounded by friends shouting Oni wa soto! Fuku wa uchi! Because we could all use some major fuku fortune right about now. Am I right?